Mobirise

The victims at the EU’s borders

The art installation of “white crosses” collectively left the city’s government quarters to escape the commemoration festivities for the fall of the Berlin wall’s 25th anniversary. In an act of solidarity, the victims fled to their brothers and sisters across the European Union’s external borders, more precisely, to the future victims of the wall. Since the fall of the iron curtain, the EU’s border has taken 30,000 lives.

“History does not just belong to those who experienced it as it cannot be shielded from the dreadful realities of today. This simple truth was brought to us by this year’s most important and inconvenient act of commemoration.”

Die Zeit

  • “A despicable campaign!“

    Frank Henkel (CDU), Senator of the Interior
  • “This so-called art campaign is in reality absolutely tasteless and stupid.”

    Spokesperson of the Governing Mayor of Berlin, Klaus Wowereit
  • “A severe case of aggravated theft.“

    Berlin Police
  • “This campaign is an absolute disgrace! On the important occasion of the fall of the Berlin wall, the German population discussed a totalitarian system that had existed here in this country. Putting these two things in the same context is a terrible thing to do.“

    Andreas Scheuer, CSU Secretary-General
  • “Art is not a question of taste! It is cynical that the EU, also at the instigation of Germany, reduced the rescue operation for refugees in the Mediterranean.”

    Peter von Becker, Der Tagesspiegel
  • “The actual problem is not some scrupulous artists who do not conceal the fact that they want to destroy our open society. The problem is that the media and politicians let them do as they please.“

    Vera Lengsfeld (CDU), civil rights activist in the former GDR
  • “This campaign shows no respect for the commemoration of the victims of the Berlin wall.”

    Monika Grütters (CDU), State Minister for Culture
  • “I can understand that every opportunity which draws attention to the plight on the EU’s external borders is seized.“

    Jürgen Hannemann, brother of Axel Hannemann
  • “It is unbelievable that a memorial is removed right in the government quarters without anyone noticing!”

    Robert Havemann Society
  • “This campaign plays off courage and imagination against inhumanity and a bureaucratic lack of imagination. It connects the memories of the Berlin wall to today’s reality of refugees in despair throwing themselves against barricades and barbed wire fences. […] ‘Being human did not count then, a valid passport was everything. ‘ This description of a refugee’s fate is more up to date than ever on a European continent isolating itself from refugees and willingly accepting the death of people in need.”

    Erich Maria Remarque Society
  • “For quite some time there has been a distinctive longing for reality in theatre. In this campaign, art finds a feedback in reality so strong that one is reminded of Jelinek’s bon mot about Schlingensief who ‘threw the facts at those in power as if he were throwing a cake into their face’.”

    Patrick Wildermann, Der Tagesspiegel
  • “The fact that the Berlin Senator for the Interior and State Minister for Culture do not see the difference between crime and political art is not only laughable but forces one to say: Welcome to the GDR! When was the last time a Senator for the Interior threatened a theatre director? How do we call such systems where this happens?”

    Mely Kiyak, author

“A spectacular campaign! What is the legacy of these victims? What do they require us to do? They are a reminder and at the same time a mission. While at the Spree the political beacon of the Berlin wall is entirely de-politicised, the Center for Political Beauty draws attention to what could be the lesson, message and obligation in connection with the fall of the wall’s 25th anniversary.“

Spiegel Online

  • “White crosses were stolen with a heroic attitude and a pseudo-humanitarian justification that is right-out cynical.”

    Norbert Lammert (CDU), President of the Bundestag (German Parliament)
  • “Since the death of Christoph Schlingensief I have missed a strong provoking voice in the arts intervening into politics.“

    Shermin Langhoff, Director Gorki Theater

  • “It is about the question which Europe we want to live in and with what walls and frontiers: in a humane or pseudo-humanitarian one. About whether we want to commemorate or continue to think.”

    Der Tagesspiegel
  • “ [...] this is the dumbest nonsense produced by German theatre in recent years [...].The reason behind all the noise around the artistic void is the notorious over-estimation of theatre people themselves. They constantly feel pressured into teaching the world about things that are completely out of their field of expertise.”

    DIE WELT
  • “This campaign is a contribution to our country’s self-education. It does not suggest that there are easy solutions. It rather highlights an unresolved conflict between moral claims and democratically chosen realpolitik that willingly accepts that people are dying.”

    Peter Laudenbach, tip Berlin
  • "The Council for the Arts would like to thank the Maxim Gorki Theatre and its Director Shermin Langhoff for supporting an art campaign which reminded us of the fact that celebrating and commemorating the 9 November 1989 is not all there is. […] An important lesson from that date is the freedom of the arts ensuring that politicians can never again be tempted to decide what they define as opportune and worthy of support just to illustrate their policies, while other forms of art are suppressed or prosecuted by state security as is currently the case of the Center for Political Beauty.”

    Council for the Arts
  • “In terms of freedom of the arts and culture, this project raises no objections. […] It is honorable to point out the current situation of refugees on the occasion of 9 November.“

    Klaus Wowereit, Mayor of Berlins
  • “This is not the same thing. The fall of the wall is a completed historic event. Of course you can talk about borders and Frontex fences- but not like that.”

    Rainer Eckert, Zeitgeschichtliches Forum
  • “This isn‘t art! It doesn’t have anything to do with art because it is not thought through in the least.“

    Bazon Brock

“Good for historians, a nightmare for the organisers of nostalgic commemoration events.“

Tobias Bütow, Historian




"Since we sent out a press release on the campaign on Monday, the whole of Germany is getting worked up over the disappearance of 14 – albeit large and important - symbols. In the meantime, the death of 24 refugees on a boat near Istanbul was only worth a tiny notice. Our campaign is on Germany’s front pages. This reveals the true face of German society. Every society only mourns its own victims. As soon as you’re from somewhere else, people don’t really think about you. We can only fully pay tribute to those who died at the Berlin wall if we also think about the new victims.”

Cesy Leonard, Chief of Planning Staff

The death strip of Melilla puts their lives at risk (see arm bandage and head wound). The white crosses fled to the Moroccan woods to be with them.

DRAG AND DROP WEBSITE BUILDER

“When the wall came down 25 years ago, this was not the result of clever strategic moves by professional politicians. Rather, it was the awakening of civil society. I have thought for a long time that this country’s simple sense of citizenship had died out. Over the last few days, however, the Center for Political Beauty demonstrated that this sense of citizenship can be awakened. History is not a quiet place. History must agitate us and weigh us down. After all, commemorating involves thinking. [...] There was much debate on unacceptable comparisons and declarations that one (history) had nothing to do with the other (the present). It would be a disaster if that were true. – There is a reflex in politics not to see something as art once it goes beyond the limits of the traditional concept of art calling it insane or even criminal. This worries me. […] There is a rather unfriendly German saying: “Go with God but go“. I would say: go with whomever so that others can come without having to risk their lives.”

Shermin Langhoff, Director, Gorki Theater

“The campaign’s success consists in revealing the absurd effort with which German authorities and the Bulgarian police protect the European border- even from a few harmless art tourists. […] At the end of the day, the Center for Political Beauty revealed some unpleasant certainties: ignorance for the true problems. Instead of talking about the victims, people discuss Berlin’s local politics. Instead of engaging in a debate on the EU’s borders, there is a debate on the limits of art.”

Frankfurter Allgemeine Sonntagszeitung

“This is why it is not surprising that the Bulgarian Minister of the Interior would get into trouble when - out of all member states - German EU citizens take action against the border fence. They cannot be simply locked away and starved. They have a lobby- and most importantly the right passport.“

taz

Press

Background: Europe is sealing itself off


The last gate to Europe, Turkey’s border with Greece and Bulgaria, is closed. Since the Bulgarian government decided to build a so-called “containment facility”, there are no more paths to Europe for people in need that would not put their lives at risk. The picture shows the barbed wire fence at the Bulgarian-Turkish border which was built only two months before the 9 November 2014.